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Thoughts from the R-J’s Page Turners on new books, old books and maybe even some books of which you’ve never heard.

Meet The Page Turners

Lisa Kim Bach, reporter
If it has pages, she wants to turn them. Mystery? Oh yeah. Horror? If in the mood. Science fiction? It’s a favorite. She even likes those weighty nonfiction tomes that attempt to bring an understanding of universal forces to the masses. When it comes to her personal reading, the only requirement is a good story.

Lindsey Losnedahl, assistant features editor
Loves all kinds of fiction, especially horror (the bloodier the better), and pretty much any book featuring a wizard or dragon. Has also been known to read historical fiction and frequently braves the pages of unheard of authors.

Debra McGuire, wire editor
Enjoys mysteries and reads a lot of nonfiction, particularly books about terrorism, history and religion.

Pat Morgan, deputy features editor
Books are major weakness. Easily distracted into reading darned near anything if the title is captivating. Loves fiction, especially mysteries with great characters, and nonfiction involving history and biographies. Often caught with several books going at once because she cannot choose among them.

Heidi Knapp Rinella, staff writer and restaurant critic
Loves to read almost anything, as long as it’s well-written — which is not to be confused with a story well told. Favorites are Carl Hiaasen, Randy Wayne White, Bailey White, John Grisham, James Patterson, Dean Koontz and Caleb Carr. Also likes nonfiction.

Geoff Schumacher, director of community publications and weekly public affairs columnist
Reads classics, literary fiction, history, biography, journalism, essays and books about books. Appearances to the contrary, he’s not a book snob — he also dabbles in fantasy, sci-fi, horror and mystery.

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'Necessary as Blood' stuck in slow-motion

  The press release for “Necessary as Blood” calls the London-based novel “a dazzling addition to Deborah Crombie’s acclaimed mystery series.”
  I’ve never read any other works by Crombie, but I found “Blood” to be far from dazzling. It was more like “mildly engaging,” “slow moving” and “too procedural and talky.” I may have to go read other entries in her Scotland Yard series, including “Where Memories Lie.” I don’t like to give a tough critique on an author based on one book. It would be like judging Andre Agassi’s career in 1997, a troubling time in his life.
  I wasn’t impressed by “Necessary as Blood.” The pacing was erratic, and I had a hard time trying to empathize with the main characters. They seemed to spend a lot of time standing or sitting around, chatting and analyzing things. I enjoy quieter, more
intellectual mysteries, but this story seemed stuck in perpetual slow-motion. The plot didn’t really pick up steam until the last 50 or so
pages. There are some twists and a satisfying conclusion but they come too late.
  But Crombie has created an intriguing, modern story that casts some light on a troubling issue: international child trafficking.
  Scotland Yard Detectives Gemma James and Duncan Kincaid stumble across a case that involves a murder and the disappearance of a child and her mother. In London’s storied East End (once the stomping grounds of Jack the Ripper and a historically repressed area), Sandra Gilles leaves her daughter Charlotte with a friend who operates a booth at a flower market. Gilles says she’ll be back soon. She never comes back.
  Her husband, Naz Malik, is a respected lawyer and is devastated by Sandra’s sudden disappearance. A hate crime may be involved because Sandra is white and Malik is Pakistani. Mixed-race relationships rub some people the wrong way in the culturally volatile East End. Then, shockingly, Malik is murdered, and Charlotte may be in danger, even though she is staying with “trusted” relatives.
  Kincaid and his loyal sergeant, Doug Cullen, team up with James and young detective Melody Talbot to solve the mystery. But things aren't that simple. Kincaid and James, who has kids from a previous relationship, struggle to advance their romantic relationship. Talbot and James also have to confront some sensitive personal and family issues.
  These side issues grow too big and distract from the main story.
  “Necessary as Blood” has potential and has a few exciting moments — just not enough of them.

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