Quantcast
Home manage Las Vegas Review-Journal
  Jobs Cars Homes Shopping Travel Weddings Golf Best of Las Vegas Photo   Search:

RECENT EDITIONS
Mon Tue Wed Thu Fri Sat Sun

Living


MIKE WEATHERFORD: 'Bubble' busts at Planet

Ah, life in Sin City. While Mirage executives ponder the image branding of a puppet show on their outside marquee, a child-friendly bubble show folds its tent just before summer vacation season.

Fan Yang's "Gazillion Bubble Show" has wrapped up its afternoon run in magician Steve Wyrick's theater at the Miracle Mile Shops at Planet Hollywood. The show's Web site says the last bubble popped on May 11, with wording that suggests finality.


Most Popular Stories
  • UNCERTAIN OUTLOOK: Recession strands some homeowners in partially built communities
  • LIVING DOLL: Palms celebrates Barbie's 50th anniversary with fantasy suite
  • HOME BASE: Family facing tough times gets big break from generous Realtor
  • Teen overcomes troubled start in life to help others
  • Busting Out
  • 40TH ANNIVERSARY: Moon landing taught us much about science -- and ourselves
  • FEAR AND LOAFING: Million Dollar Crybaby (Sparring Partner)
  • LIFE ON THE COUCH: Socialite Kardashian is reality shows' common denominator
  • HUMAN MATTERS: Jackson's journey through pathos a painful trip for everyone
  • GARDENING: When agaves bloom, it's a sight to behold




  • However, theater manager Robyn Spencer says the show is dark for "an indefinite period" and might make it back by year's end, after spending the summer touring overseas.

    The show's company manager, Freddie Hallgren, said earlier this week the production hadn't yet loaded out of the theater, and there was a "slight chance" it would reopen if producer Yang could work out a more favorable rental agreement.

    Otherwise, it sounds like the all-too-familiar story of a producer coming in with a lopsided rental contract and without doing his homework. Hallgren says that when the show opened in February, tickets were available only at the box office because contracts hadn't yet been signed with online vendors.

    The bubble show and Brett Daniels' magic act at the Sahara both disappeared just before the prime Memorial Day weekend and the peak summer season for family-friendly matinees.

    Next year, the Mirage will test the long-term drawing power of "America's Got Talent" ventriloquist Terry Fator, tapped as Danny Gans' replacement. Gans will be across the street at Wynn Las Vegas, and it will be a fun showdown.

    One big difference is that Gans' outdoor sign photo won't include puppets. I pointed out to Mirage president Scott Sibella that I recently questioned in a column if tight economic times mean a return to the tried-and-true family market.

    And Sibella was a good guy for perspective, since I first interviewed him next door at Treasure Island, when the outdoor pirate show was being revamped to drop the "Yo" from its "Yo-ho," becoming the hip-hopping "Sirens of T.I."

    "Of course kids love puppets, but we didn't think about this show as a show that will draw families," Sibella said. "It's not designed as a children's show, but it doesn't cross that line (of suitability)."...

    The naughtier side of the Strip is on display in the June issue of Playboy, which devotes six pages of photos to "Crazy Horse Paris" at the MGM Grand. The photos are nearly all within a stage context, and so come off as good advertising. ...

    Back in January, I did a feature about the opposite of ticket discounting: an "upsell," or VIP ticket, that offers a backstage tour or other perks for premium pricing. Now, Cirque du Soleil jumps in on the action with a $295 "Tapis Rouge" (red carpet) ticket for its flagship show "Love."

    The ticket option that starts June 26 includes a gift bag and preshow reception in the Revolution Lounge, with backstage video and "hosts to provide insights" into the show, according the news release announcing the show. ...

    It's a good thing The Second City didn't go too far overboard promoting the last-name value of performer Rob Belushi (Son of Jim, nephew of John).

    Belushi had previously agreed to spend much of his summer performing "The Lion in Winter" at the Writers' Theatre in suburban Chicago (Glencoe, to be exact). The play runs Monday through Aug. 3, and Belushi plans to be back for the last third of another balmy summer on the Strip. Various understudies will fill in for him at Second City. ...

    For those who like to jump in on the fun of interactive shows, a couple of promising changes.

    "Marriage Can Be Murder" inside the Four Queens' Canyon Club has upgraded its dinner entrees without raising the ticket price. What began as a fairly sparse plate (skewered beef or chicken over white rice) is now a choice of steak, teriyaki chicken or salmon with twice-baked potato and vegetable.

    And at the Riviera, "The Soprano's Last Supper" won't seem so much like the early-bird senior's special come June 1. The show times will change from 6 to 7 p.m., with arrivals for the preshow dinner option at 5:30 p.m. instead of 4:30 p.m.

    (These changes will push back the start time for the Riviera Comedy Club from 8:30 p.m. to 9 p.m.)

    Contact reporter Mike Weatherford at mweatherford@reviewjournal.com or 702-383-0288.

    Newsvine Digg Fark Technorati reddit StumbleUpon del.icio.us Slashdot Propeller Mixx Furl Twitter MySpace Facebook Google Bookmarks Yahoo! Bookmarks Windows Live Favorites Ask MyStuff myAOL Favorites

    Leave Your Comment 0 Reader Comments
    Terms & Conditions
    The following comments are provided by readers and are the sole responsiblity of the authors. The reviewjournal.com does not review comments before publication nor guarantee their accuracy. By publishing a comment here you agree to abide by the comment policy. If you see a comment that violates the policy, please notify the web editor.

    Some comments may not display immediately due to an automatic filter. These comments will be reviewed within 48 hours. Please do not submit a comment more than once.
    Current Word Count:

    Note: Comments made by reporters and editors of the Las Vegas Review-Journal are presented with a yellow background.