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SOUNDS: Jamie Foxx blends music, comedy during ambitious tour opening in Las Vegas

Mix Master



Back in the day, he was the rare black dude who could get up onstage and kill 'em with a dead-on imitation of Ronald Reagan.

Two and a half decades later, Jamie Foxx is still at it, speaking, yelling, whispering, singing, laughing, hyperventilating in that dimensionless voice of his, going from pitch-perfect takes on Bill Cosby to Lee Greenwood to Mike Tyson to Barack Obama from one breath to the next.


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  • As a conversationalist, he's fond of lots of sharp, hairpin turns.

    Currently, Foxx is connecting the far-flung dots between the symphony and the ghetto.

    Born and raised in Texas, Foxx went to school on a classical piano scholarship at San Diego's International University.

    After college, he moved to Los Angeles to pursue a career in music.

    But he was flat broke, had no money to cut a demo, and so he took his musical background, slathered it in some funny, and put it to use in comedy clubs.

    "I would take opera music, like real sophisticated music, and put it with 'hood music," Foxx recalls with an audible smirk. "Like, I would take Snoop Dogg and go (in a high, sonorous singing voice) 'Rolling down the street smoking endo, sippin' on gin and juice.' "

    From there, Foxx's comedic prospects would quickly outpace his musical career.

    But these days, the music has finally caught up with Foxx.

    Or maybe it's the other way around for the Academy Award-winning, multitalented entertainer.

    Foxx's latest disc, "Intuition," his third overall, which was recorded in Las Vegas, is far and away the most contemporary sounding album from this soul throwback who grew up on a steady diet of traditionalists, from the Winans family to George Strait.

    With a platinum-coated guest list of hip-hop heavyweights such as Kanye West, Lil Wayne, T.I. and T-Pain lending modernist production values, techno beats and overheated rhymes to the record, Foxx has attempted to harness the zeitgeist instead of countering it as he has in the past.

    In other words, he's trying to stay young.

    "We definitely had to challenge ourselves and move beyond R&B a little bit, because R&B is on life support right now. All of my friends who do R&B, nobody's on the charts," Foxx says. "I came in with some songs that were sort of old school R&B, and my guy (producer) Breyon Prescott said, 'If you do that type of music, your music is gonna end up in the bin in the front of the grocery store, you know, with the nail clippers. You gotta stretch.' "

    And stretch he did, but not without some griping from the R&B hard-liners who once saw Foxx as a fresh face to reinvigorate an old sound.

    One new development for Foxx on "Intuition" is his use of the equally loved and loathed Auto-Tune, a now ubiquitous pop and hip-hop vocal effect that can both correct any discrepancies in pitch and make singers sound like hiccuping robots.

    "A lot of my other R&B cohorts were like, 'You're gonna disrespect us. You're gonna bastardize the craft,' " Foxx says of his decision to use the vocal processor. "I said, 'I'm not bastardizing the craft. When you can find Auto-Tune and a great song and it works together, it's the best blend.' I like Auto-Tune. I like what T-Pain does. I thought it was interesting how he revamped and reshaped things, sort of calling upon the ghost of Roger Troutman."

    Despite his musical background, and the fact that he's sold more than 3 million albums in the past four years, Foxx is still best known from his stint on the popular comedy variety show "In Living Color" and his many high-profile acting roles, most notably his performance as Ray Charles in the acclaimed "Ray" -- of course, it's not long into the interview before Foxx is busting out a loud and lovingly done impersonation of the storied piano man.

    But whenever an actor embarks on a career in music, ugly images of Bruce Willis in shades, strangling the life out of a harmonica, or Eddie Murphy in the studio with Rick James bombard the mind's eye like rotten fruit.

    Foxx knows this.

    He's well aware that whatever he does in music will be considered a novelty until he demonstrates otherwise, over and over again.

    "I still think that I'm validating it. I'm still young at it," Foxx says of his musical career. "I think that three more albums -- and I'm going to crank them out here pretty fast -- will definitely solidify me. But right now, I still feel like I'm that rookie. I still feel like people want to know what's going on. Defining the music is what I'm really trying to do."

    This is why Foxx is about to embark on his most ambitious tour, a long, 50-date trek that marks his most extensive road work yet. The show will be a mix of music and comedy, a newfangled variety show with Foxx at the center of it all. The tour is opening in Vegas, where Foxx used to live, near Sunrise Mountain, from around 1995 to 2002.

    He recalls the craziness of Sin City with awe and aims to return with some of his own.

    "I had some of the most wild and crazy experiences in Vegas, man," Foxx recalls. "I just go, 'Wow, how did I survive?'

    "When we descend on Vegas, it's going to be all out music, comedy, fun, party -- in that order," he continues. "We're gonna blame it on the a-a-a-alcohol. We're really gonna do that in spectacular fashion. And what better place than Las Vegas to blame it on?"

    Contact reporter Jason Bracelin at jbracelin@ reviewjournal.com or 702-383-0476.

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    You Disgrace the Memory of Michael Jackson !!! wrote on July 03, 2009 04:17 PM: This is about race alright, but not in general, but rather specifically that Jamie Fox has a smoldering, hidden until now, hate for the white man. Good to know that you have revealed yourself so those that disagree can stop attending your concerts and buying your cds.

    When Obama and the rest of his gang, yes gang, fall in 2010 and 2012, Jamie will return to sanity and realize he is nothing without the majority of all Americans, regardless of color.

    The party is over Jamie and you blew it. Better save your money....


    reggie wrote on July 03, 2009 02:46 PM: why do everything have to be about race everytime when an black person do good some people just cant stand it which people would grow up and stop bashing people


    elrod wrote on July 03, 2009 01:49 PM: This guy is terrible. His drivel may play in Watts, East St. Louis or Harlem but he will die in front of an audience that has half a brain. Go back to BET you are in over your head.


    Yeah1964 wrote on July 03, 2009 10:22 AM: Another Eddie Murphy, failure! You belong to the black people, please stay with them.


    joe wrote on July 03, 2009 10:02 AM: Way to go with that BET MJ tribute. I'd like to think MJ himself would have a serious issue with your comments about how he 'belongs to us and we just let other people borrow him'. Why did you even feel a need to say something inflammatory like that? Why not call out the blacks that accused MJ of being a traitor to his own race then? I bet you look at the white members of your audience muttering 'suckers' under your breath.